![\"a\u00e7l\u0131k](\"https:\/\/www.kampuskod.com\/wp-content\/uploads\/2020\/12\/aclik.jpg\")
A\u00e7l\u0131k (Norve\u00e7\u00e7e: Sult)<\/strong>, Norve\u00e7li yazar Knut Hamsun taraf\u0131ndan kaleme al\u0131nm\u0131\u015f ve 1890 y\u0131l\u0131nda ilk bask\u0131s\u0131 yap\u0131lm\u0131\u015f bir romand\u0131r. Roman, 20. y\u00fczy\u0131l\u0131n edebi a\u00e7\u0131l\u0131\u015f\u0131 olarak g\u00f6r\u00fclmekle beraber, modern ve psikolojik s\u00fcr\u00fckleyici edebiyat\u0131n en \u00f6nemli \u00f6rneklerinden biri olarak kabul edilmektedir. Karma\u015fa halindeki insan zihninin mant\u0131ks\u0131zl\u0131\u011f\u0131n\u0131 kimi zaman duygusal kimi zamansa esprili bir dille yans\u0131tmaktad\u0131r. Bu roman \u00f6lmek pahas\u0131na olsa bile al\u0131n teri d\u00f6kmedi\u011fin paray\u0131 kabul etmemeyi anlatmaktad\u0131r.<\/p>\n\n\n\n Roman, T\u00fcrk\u00e7eye ilk kez 1934 y\u0131l\u0131nda Peyami Safa taraf\u0131ndan \u00e7evrilip, Resimli Ay Matbaas\u0131 taraf\u0131ndan bas\u0131lm\u0131\u015ft\u0131r.<\/p>\n\n\n\n <\/p>\n\n\n\n Akdeniz<\/strong> Panait Istrati’nin roman\u0131d\u0131r. Kitap Adrien adl\u0131 kahraman\u0131n \u0130skenderiye, Kahire, Beyrut, \u015eam\u2026 gibi Akdeniz \u015fehirlerinde ba\u015f\u0131ndan ge\u00e7enleri anlatmaktad\u0131r. Farkl\u0131 din, dil ve \u0131rktaki insanlar\u0131n birlikteli\u011fini inceler.<\/p>\n\n\n\n Kahramanlar<\/strong> Babalar ve O\u011fullar<\/strong>, \u0130van Turgenyev\u2019in 1862’de kaleme ald\u0131\u011f\u0131 en me\u015fhur eseridir. Roman\u0131n Rus\u00e7a ad\u0131 \u041e\u0442\u0446\u044b \u0438 \u0434\u0435\u0442\u0438 (Otts\u0131 i Deti)\u2019dir. Birebir anlam\u0131 \u201cBabalar ve \u00c7ocuklar\u201d olan bu roman T\u00fcrk\u00e7eye \u201cBabalar ve O\u011fullar\u201d olarak terc\u00fcme edilmi\u015ftir.<\/p>\n\n\n\n Konular<\/strong> Bazarov, Pavel\u2019e \u201c\u2026i\u00e7inde bulundu\u011fumuz hayatta aileye veya sosyal tabakaya dair mutlak ve ac\u0131mas\u0131z bir inkar\u0131 hak etmeyen bir tane merci\u201d g\u00f6stermesi durumununda nihilizmden vazge\u00e7ece\u011fini s\u00f6ylemi\u015ftir. Bazarov, geleneksel Rusya ile \u00f6zde\u015fle\u015fmi\u015f her \u015feyi k\u00fc\u00e7\u00fcmsemesine ve hafife almas\u0131na ra\u011fmen, salt bilimin h\u00e2l\u00e2 bir amac\u0131 ve de\u011feri oldu\u011funa inan\u0131r.<\/p>\n\n\n\n \u0130nsani duygular ve bir bedel olarak sevgi<\/strong><\/em> Odintsova taraf\u0131ndan reddedilen Bazarov ailesinin yan\u0131na d\u00f6ner. Bazarov, Arkadi’ ye \u015fu \u015fekilde yak\u0131nmaktad\u0131r: ” \u2026ailem, hayat ile o kadar me\u015fgul ki, kendi anlams\u0131zl\u0131klar\u0131n\u0131 bile \u00f6nemsemez hale gelmi\u015fler, hi\u00e7 ama hi\u00e7 umurlar\u0131nda de\u011fil\u2026 Ben ise\u2026 Sadece s\u0131k\u0131nt\u0131 ve \u00f6fke hissediyorum. “Duygular\u0131 ile ba\u015f edemedi\u011fi fikri O’nu derin bir \u00fcz\u00fcnt\u00fcye ve hayata kar\u015f\u0131 ilgisizli\u011fe mahk\u00fbm eder.<\/p>\n\n\n\n Ve daha sonra, gen\u00e7, g\u00fczel ve m\u00fctevaz\u0131 tav\u0131rlar\u0131 ile dikkat \u00e7eken esrarengiz Anna Odintsova ortaya \u00e7\u0131kar. \u0130yi bir evlilik ge\u00e7irmi\u015f olman\u0131n ve bir s\u00fcredir de gen\u00e7 bir dul olman\u0131n olgunlu\u011funa sahip olan Anna Odintsova a\u015f\u0131r\u0131 derecede l\u00fcks ve g\u00f6rkemli bir konutta ya\u015famaktad\u0131r. Turgenyev, roman\u0131n bas\u0131ld\u0131\u011f\u0131 y\u0131l kaleme ald\u0131\u011f\u0131 bir mektubunda Anna’y\u0131 “Hayalimizdeki ve merak\u0131m\u0131zdaki so\u011fuk ve gen\u00e7 bir epik\u00fcryan han\u0131m\u0131n di\u015fi asaletinde doldurdu\u011fu yerin tasviri” \u015feklinde tasarlad\u0131\u011f\u0131n\u0131 bildirmi\u015ftir. Turgenyev’in olu\u015fturdu\u011fu kurgular t\u0131pk\u0131 Bazarov \u00f6rne\u011finde oldu\u011fu gibi yazar\u0131n entelekt\u00fcel tasar\u0131m\u0131yla ortaya \u00e7\u0131kan, kar\u0131\u015f\u0131k ve hayret verici, \u00f6te yandan da yazar\u0131n hayat\u0131ndan par\u00e7alara ait olan fig\u00fcrlerdir.<\/p>\n\n\n\n \u0130lk bak\u0131\u015fta, \u00f6zg\u00fcr ve bekar bir bayan olan Anna; a\u00e7\u0131k s\u00f6zl\u00fc, farkl\u0131 ve pek zeki olan Bazarov’dan olduk\u00e7a etkilenmi\u015f gibi g\u00f6r\u00fcn\u00fcyor. \u0130stemeden de olsa, kendini kad\u0131n avc\u0131s\u0131 olarak niteleyen bu adam\u0131 ba\u015ftan \u00e7\u0131karmak y\u00f6n\u00fcnde sa\u011flam ad\u0131mlar at\u0131yor ve O’nu kar\u015f\u0131l\u0131kl\u0131 olan a\u015fk\u0131n\u0131 dile getirmeye mecbur b\u0131rak\u0131yor. S\u00f6ylediklerinde tam bir samimiyete sahip olan Anna, “mutsuz” oldu\u011funu, “pe\u015finden gidecek” hi\u00e7bir arzusu olmad\u0131\u011f\u0131n\u0131 ve onu hayata “ya hep ya hi\u00e7” derecesinde ba\u011flayacak kadar “g\u00fc\u00e7l\u00fc bir ba\u011f” kurmay\u0131 ne kadar \u00e7ok istedi\u011fini s\u00f6yl\u00fcyor: ” Bir ya\u015fama kar\u015f\u0131l\u0131k di\u011fer bir ya\u015fam. Benimkini al, seninkini ver, pi\u015fmanl\u0131klar olmadan, geriye d\u00f6n\u00fc\u015f olmadan. “<\/p>\n\n\n\n Ve nihayet bir s\u00fcre sonra, Bazarov inad\u0131ndan vazge\u00e7erek a\u015fk\u0131n\u0131 itiraf ediyor fakat Odintsova taraf\u0131ndan kaba bir bi\u00e7imde reddediliyor. Daha sonra ise, s\u0131rf korktu\u011fundan \u00f6t\u00fcr\u00fc hakiki a\u015fk\u0131 sunan bir \u015fans\u0131 geri \u00e7evirmi\u015f olabilece\u011fi i\u00e7in kendini su\u00e7luyor ve eziyet \u00e7ekiyor. Nihai karar\u0131n\u0131 veriyor; ” Hay\u0131r. Allah neyi ya\u015fataca\u011f\u0131n\u0131 bilir; kimse bu t\u00fcr \u015feyleri hafife al\u0131p, \u00e7ocuk oyunca\u011f\u0131 sanmamal\u0131.”<\/p>\n\n\n\n Ancak Turgenyev bizlere Arkadi ve Nikolay’y\u0131n, evliliklerinden ve kirac\u0131lara verdikleri bir \u00e7iftli\u011fi i\u015fletmekten duyduklar\u0131 mutlulu\u011fun, Bazarov’un kozmik \u00e7aresizli\u011fine ve umutsuzlu\u011funa k\u0131yasla bir \u00e7\u00f6z\u00fcm oldu\u011funu a\u00e7\u0131kl\u0131yor (Arkadi, asl\u0131nda Anna’ya a\u015f\u0131k olmas\u0131na ra\u011fmen, Anna Odintsova’nun k\u0131zkarde\u015fi Katya ile evleniyor). Bazarov ve ya\u015fl\u0131lar aras\u0131ndaki \u00e7at\u0131\u015fma Bazarov’un Pavel’i bir d\u00fcelloda yaralamas\u0131 ile meydana \u00e7\u0131k\u0131yor. En sonunda, Turgenyev de Bazarov’un “hi\u00e7lik prensibini” reddediyor (Nihilist d\u00fc\u015f\u00fcnce, hayat\u0131n hi\u00e7lik derecesinde \u00f6nemsiz oldu\u011funu ve \u00f6l\u00fcmden sonra hi\u00e7bir \u015fey olmad\u0131\u011f\u0131n\u0131 savunur). Bazarov, ayr\u0131ld\u0131ktan ve ailesine yan\u0131na d\u00f6nd\u00fckten sonra tif\u00fcs hastal\u0131\u011f\u0131na yakalan\u0131p \u00f6l\u00fcyor. Kitab\u0131n son paragraf\u0131nda Bazarov’un mezar\u0131n\u0131 ziyaret eden ailesi tasvir ediliyor.<\/p>\n\n\n\n Birbirlerine destek olarak yava\u015f yava\u015f y\u00fcr\u00fcr, demir parmakl\u0131\u011fa yakla\u015f\u0131p yere diz \u00e7\u00f6kerler, uzun uzun a\u011flar, alt\u0131nda o\u011fullar\u0131n\u0131n yatt\u0131\u011f\u0131 dilsiz mezar ta\u015f\u0131na g\u00f6zlerini ay\u0131rmadan uzun uzun bakarlar. Bir iki s\u00f6zc\u00fck ederler aralar\u0131nda, mezar ta\u015f\u0131n\u0131n \u00fczerindeki tozu temizlerler, \u00e7am a\u011fac\u0131n\u0131n dal\u0131n\u0131 d\u00fczeltirler: sonra tekrar dua ederler, o\u011fullar\u0131na, onun an\u0131lar\u0131na en yak\u0131n olduklar\u0131 bu yerden uzun s\u00fcre ayr\u0131lamazlar\u2026 Bo\u015funa m\u0131d\u0131r dersiniz onlar\u0131n ettikleri dualar? Ah, evet! Bu mezarda ne denli tutkulu, g\u00fcnahkar, isyankar bir y\u00fcrek yat\u0131yor olursa olsun, \u00fczerinde yeti\u015fen \u00e7i\u00e7ekler gene de masum g\u00f6zleriyle uysal, sakin bakar bize: yaln\u0131zca ebedi huzurdan, do\u011fan\u0131n “kay\u0131ts\u0131z”, b\u00fcy\u00fck huzurundan de\u011fil, \u00f6l\u00fcms\u00fcz bar\u0131\u015ftan, sonsuz ya\u015famdan da s\u00f6z ederler\u2026 <\/p>\n\n\n\n Beyaz Di\u015f veya orijinal ad\u0131yla White Fang, (1909) Jack London’un bir roman\u0131d\u0131r. Roman ilk kez seri halinde, 1906 may\u0131s\u0131ndan, ekimine kadar The Outing Magazine adl\u0131 dergide yay\u0131nlanm\u0131\u015ft\u0131r. Kitap bir\u00e7ok dile \u00e7evrilmi\u015f ve bir\u00e7ok yay\u0131nevi taraf\u0131ndan yay\u0131mlanm\u0131\u015ft\u0131r. Kitaptaki yerler Rusya, Kanada ve Amerika’da bulunmaktad\u0131r. Di\u011fer karde\u015flerinden farkl\u0131 olarak gri do\u011fan bir kurt yavrusunun hik\u00e2yesi anlat\u0131lmaktad\u0131r.<\/p>\n\n\n\n Beyaz Gemi, K\u0131rg\u0131z yazar Cengiz Aytmatov’a ait roman.<\/strong><\/p>\n\n\n\n Konusu:<\/strong> Bir Bilim Adam\u0131n\u0131n Roman\u0131,<\/strong> O\u011fuz Atay’\u0131n \u0130T\u00dc \u0130n\u015faat Fak\u00fcltesi’nden hocas\u0131 olan Prof. Dr. Mustafa \u0130nan’\u0131n ya\u015fam \u00f6yk\u00fcs\u00fcn\u00fc anlatt\u0131\u011f\u0131 roman\u0131d\u0131r. Kitap \u0130leti\u015fim Yay\u0131nlar\u0131’ndan \u00e7\u0131km\u0131\u015ft\u0131r ve 270 sayfadan olu\u015fmaktad\u0131r.<\/p>\n\n\n\n Roman\u0131n<\/strong> ilk b\u00f6l\u00fcm\u00fcnde Mustafa \u0130nan’\u0131n \u00e7ocuklu\u011fundan, mezuniyetine kadar geli\u015fen olaylar aktar\u0131l\u0131r. Mustafa \u0130nan, 1911 y\u0131l\u0131nda Adana’da bir posta memurunun o\u011flu olarak d\u00fcnyaya gelmi\u015ftir. D\u00fcnya Sava\u015f\u0131 y\u0131llar\u0131na denk gelen \u00e7ocuklu\u011fu boyunca Anadolu’nun zorluklarla dolu engellerinden ba\u015far\u0131yla \u00e7\u0131km\u0131\u015ft\u0131r, \u00f6\u011frencilik hayat\u0131nda olduk\u00e7a ba\u015far\u0131l\u0131 bir \u00f6\u011frenci olmu\u015ftur.<\/p>\n\n\n\n \u0130kinci b\u00f6l\u00fcmde idealist bir akademisyen olarak, \u00fcretken ve ba\u015far\u0131l\u0131 bilimsel faaliyetlerde bulunan bir ayd\u0131n olarak ya\u015fad\u0131\u011f\u0131 s\u00fcre\u00e7 aktar\u0131l\u0131r. E\u015fi Jale Han\u0131m ile nas\u0131l tan\u0131\u015ft\u0131\u011f\u0131 ve evlili\u011fi hakk\u0131nda bilgiler de yer al\u0131r. Mustafa \u0130nan, bilime kar\u015f\u0131 b\u00fcy\u00fck bir tutku beslemi\u015f, sadece m\u00fchendislik de\u011fil edebiyattan, felsefeye kadar bir\u00e7ok ilmi ve d\u00fc\u015f\u00fcnsel alanlarla ilgilenmi\u015ftir. Yahya Kemal’in sohbetlerinin s\u0131k\u0131 takip\u00e7isidir. Maddiyata \u00f6nem vermeyen sadece bilime \u00e7aba harcamay\u0131 \u00fcst\u00fcn de\u011fer sayan \u0130nan, kendisine sunulan her t\u00fcrl\u00fc siyasi ve parasal i\u015fleri reddetmi\u015ftir. E\u011fitimcili\u011fine ve bilimine \u00f6nem vermeye devam eder.<\/p>\n\n\n\n T\u00fcm idealist bilim adamlar\u0131 gibi yo\u011fun \u00e7al\u0131\u015fma temposu i\u00e7erisinde beden sa\u011fl\u0131\u011f\u0131n\u0131 ihmal eden \u0130nan, 1967 y\u0131l\u0131nda l\u00f6semi hastal\u0131\u011f\u0131ndan \u00f6t\u00fcr\u00fc \u00f6lm\u00fc\u015ft\u00fcr. Kendisinin e\u011fitime ve ilme kar\u015f\u0131 derin tutkusu onu hastal\u0131\u011f\u0131na ra\u011fmen \u00f6\u011frencilerinden ayr\u0131 kalmama \u00e7abas\u0131na s\u00fcr\u00fcklemi\u015ftir.<\/p>\n\n\n\n O\u011fuz Atay, derin sevgi ve sayg\u0131 besledi\u011fi hocas\u0131 Mustafa \u0130nan’\u0131n idealist ki\u015fili\u011finin t\u00fcm ilme merak duyan \u00fclke gen\u00e7lerine sayg\u0131n bir bilim adam\u0131 portresi olarak, Bir Bilim Adam\u0131n\u0131n Roman\u0131’n\u0131 yazm\u0131\u015ft\u0131r.<\/p>\n\n\n\n Y\u0131lk\u0131 At\u0131<\/strong>, Abbas Sayar’\u0131n 1970 y\u0131l\u0131nda yay\u0131mlanan roman\u0131. Roman 1971 y\u0131l\u0131nda TRT Roman Ba\u015far\u0131 \u00d6d\u00fcl\u00fc’n\u00fc kazanm\u0131\u015ft\u0131r.<\/p>\n\n\n\n Konusu<\/strong> Romanda<\/em><\/strong>; gen\u00e7li\u011finde sahibine \u00e7ok yarar\u0131 dokunmu\u015f olan Doruk\u0131srak isimli at\u0131n, y\u0131llar ge\u00e7ip ya\u015flanmas\u0131n\u0131n ard\u0131ndan sahibi taraf\u0131ndan do\u011faya terk edili\u015fi ve ac\u0131mas\u0131z do\u011fa ko\u015fullar\u0131nda hayatta kalma \u00e7abas\u0131 anlat\u0131l\u0131yor.<\/p>\n\n\n\n Ya\u015far Ne Ya\u015far Ne Ya\u015famaz<\/strong>, Aziz Nesin’in ilk kez 1977 y\u0131l\u0131nda yay\u0131mlanan roman\u0131d\u0131r. Aziz Nesin bu eseriyle 1978 y\u0131l\u0131nda Madaral\u0131 Roman \u00d6d\u00fcl\u00fc’n\u00fc alm\u0131\u015ft\u0131r. Roman, 21 b\u00f6l\u00fcmden olu\u015fmaktad\u0131r.<\/p>\n\n\n\n T\u00fcrk edebiyat\u0131nda b\u00fcrokrasinin en \u00f6nemli yergilerinden biri olan roman, tiyatro oyunlar\u0131na ve sinemaya da uyarland\u0131. Ya\u015far Ne Ya\u015far Ne Ya\u015famaz roman\u0131, Eyl\u00fcl 2012 tarihine dek 31 bask\u0131 ile toplamda 143 bin adet bas\u0131ld\u0131.<\/p>\n\n\n\n Konusu<\/strong> Ya\u015far’\u0131n ilkokula ba\u015flayabilmesi i\u00e7in n\u00fcfus ka\u011f\u0131d\u0131na ihtiyac\u0131 vard\u0131r. Ancak n\u00fcfus dairesindeki k\u00fct\u00fc\u011fe g\u00f6re 12 ya\u015f\u0131ndaki Ya\u015far \u00c7anakkale Sava\u015f\u0131’nda \u015fehit d\u00fc\u015fm\u00fc\u015ft\u00fcr. Bu y\u00fczden n\u00fcfus ka\u011f\u0131d\u0131 Ya\u015far’a verilmez. Zaman ge\u00e7er ve Ya\u015far asker ka\u00e7a\u011f\u0131 olarak adland\u0131r\u0131l\u0131p askere \u00e7a\u011fr\u0131l\u0131r. Terhis olma zaman\u0131 geldi\u011finde de Ya\u015far k\u00fct\u00fc\u011fe g\u00f6re ya\u015famad\u0131\u011f\u0131 i\u00e7in terhis edilemez. Zar zor terhis edilir. Bu sefer Ya\u015far’\u0131n babas\u0131n\u0131n \u00f6ld\u00fc\u011f\u00fc \u00f6\u011frenilir. Ya\u015far babas\u0131n\u0131n bor\u00e7lar\u0131n\u0131 \u00f6demek zorunda b\u0131rak\u0131lmas\u0131na kar\u015f\u0131n n\u00fcfus ka\u011f\u0131d\u0131 olmad\u0131\u011f\u0131 i\u00e7in miras\u0131n\u0131 alamaz. Babas\u0131n\u0131n \u00f6l\u00fcm\u00fcnden sonra \u0130stanbul’a gelir ve k\u00f6yden tan\u0131d\u0131\u011f\u0131 olan Sat\u0131 Bey’in yan\u0131na gider. Sat\u0131 Bey \u00e7ok sayg\u0131 duyulan bir adam oldu\u011fundan onun bir ka\u011f\u0131d\u0131yla istedi\u011fi i\u015fe girebilece\u011fini \u00f6\u011frenir. Sat\u0131 Bey’in yazd\u0131\u011f\u0131 k\u00e2\u011f\u0131tla m\u00fczeye i\u015f bulma \u00fcmidiyle gider fakat yaz\u0131 silinmi\u015f oldu\u011fundan dolay\u0131 m\u00fczede \u00e7al\u0131\u015fmak yerine m\u00fczeyi gezmekle yetinir. Zaman ge\u00e7er ve birisiyle manav d\u00fckk\u00e2n\u0131 a\u00e7arlar. Manav i\u015fi ilerler fakat bir g\u00fcn adam\u0131n t\u00fcm paray\u0131 al\u0131p ka\u00e7t\u0131\u011f\u0131n\u0131 \u00f6\u011frenir. Mahkemeye ba\u015fvurmak istese de n\u00fcfus ka\u011f\u0131d\u0131 olmad\u0131\u011f\u0131 i\u00e7in hakk\u0131n\u0131 arayamaz.<\/p>\n\n\n\n Kaplumba\u011falar,<\/strong> Fakir Baykurt’un k\u00f6y sorunlar\u0131n\u0131 ve gerek\u00e7elerini g\u00f6zler \u00f6n\u00fcne serdi\u011fi, sosyal yaralara parmak bast\u0131\u011f\u0131 roman\u0131d\u0131r. Fakir Baykurt, bu roman\u0131n\u0131n \u00f6nemini \u015fu c\u00fcmlelerle dile getirmektedir:<\/p>\n\n\n\n \u201c Bu roman,her t\u00fcrl\u00fc teknik ve elektronik ara\u00e7lar\u0131n b\u00fcy\u00fck geli\u015fmeler g\u00f6sterdi\u011fi ve \u00fcretkenli\u011fi alabildi\u011fin artt\u0131\u011f\u0131 bu d\u00fcnyada,yiyece\u011fi y\u0131ll\u0131k zahireyi,yan\u0131p k\u00fcl olmu\u015f topraklardan parmaklar\u0131yla toplamaya \u00e7al\u0131\u015fan ve varl\u0131\u011f\u0131n\u0131 s\u00fcrd\u00fcrbilmek i\u00e7in istekle \u00fcreten T\u00fcrk k\u00f6yl\u00fcs\u00fcn\u00fcn hayat\u0131ndan kesittir. \u201e<\/span><\/em><\/p>\n\n\n\n \u00d6zet<\/strong> Bir ak\u015fam\u00fcst\u00fc, k\u00f6ye havadan kara bir \u015fey d\u00fc\u015fer. D\u00fc\u015fen \u015fey,meteoroloji g\u00f6zlem arac\u0131d\u0131r. K\u00f6yl\u00fc,\u00e7ekinir ve bu yabanc\u0131 cismden korkar. Bu cismi okulun bir odas\u0131na kapat\u0131rlar. Ertesi g\u00fcn k\u00f6ye herkesin m\u00fclk\u00fcn\u00fc \u00f6l\u00e7\u00fcp \u00fczerine yazd\u0131rd\u0131ktan sonra gidecek olan kadastro komisyonu gelir. K\u00f6yl\u00fc komisyon \u00fcyelerine temkinli davran\u0131r. Beklenmedik bir \u015fey olur ve \u00fcyeler Purluk’taki ba\u011f\u0131n, devlete ait oldu\u011funa karar verir. K\u00f6yl\u00fc ba\u011f\u0131n kendilerine ait oldu\u011funu ispatlamaya \u00e7al\u0131\u015fsa da ba\u015faramaz ve komisyon \u00fcyeleri gerekli i\u015flemleri yaparak tutana\u011f\u0131 h\u00fck\u00fcmete havale eder. B\u00f6ylece devlet ile k\u00f6yl\u00fc aras\u0131nda bir \u00e7eki\u015fme ba\u015flar. K\u00f6yl\u00fc cahil ve zay\u0131ft\u0131r. Devlet ile ba\u015fa \u00e7\u0131kamaz. Devlet, Tozakl\u0131lara Purluk arazisi y\u00fcz\u00fcnden ev ba\u015f\u0131na y\u00fckl\u00fc bir kira y\u00fckler. K\u00f6yl\u00fcler avukatlara, yarg\u0131\u00e7lara, memurlara gider fakat en sonunda zorluklarla ye\u015ferttikleri tarlalar\u0131n\u0131 bozarlar. K\u00f6ydeki b\u00fct\u00fcn s\u0131\u011f\u0131rlar\u0131 tarlaya s\u00fcrerler. Ye\u015fil tarla eski haline d\u00f6ner. Kaplumba\u011falar eskisi gibi g\u00fcne\u015fin yak\u0131c\u0131 alevleri alt\u0131nda kalm\u0131\u015ft\u0131r. Onlar da k\u00f6y\u00fc terk eder. K\u0131r Abbas, yeni do\u011fan torununa Ye\u015fer ismini verir fakat devlete k\u0131rg\u0131nd\u0131r. R\u0131za da k\u00f6y okulunda ya\u015fam\u0131na devam eder.<\/p>\n\n\n\n \u00d6l\u00fc Canlar,<\/strong> (Rus\u00e7a: \u041c\u0451\u0440\u0442\u0432\u044b\u0435 \u0434\u0443\u0448\u0438, Myortvyje dushi) Ukrayna as\u0131ll\u0131 Rus romanc\u0131 ve oyun yazar\u0131 Nikolay Vasilyevi\u00e7 Gogol’un ilk cildini 1842’de tamamlad\u0131\u011f\u0131 ve bitirilememi\u015f roman\u0131d\u0131r. Roman\u0131n konusunu Pu\u015fkin \u00f6nermi\u015ftir. \u00dc\u00e7 cilt olarak tasarlanan roman asl\u0131nda Dante’nin \u0130lahi Komedya’s\u0131 \u00f6rnek al\u0131narak yaz\u0131lm\u0131\u015ft\u0131r. \u0130lk cilde roman\u0131n ba\u015f kahraman\u0131 \u00c7i\u00e7ikov’un kendi \u00e7\u0131karlar\u0131 u\u011fruna yapt\u0131\u011f\u0131 k\u00f6t\u00fcl\u00fckler damgas\u0131n\u0131 vurur. Gogol, cehennemi anlatt\u0131\u011f\u0131 bu b\u00f6l\u00fcmden sonra cenneti anlataca\u011f\u0131, \u00c7i\u00e7ikov’un ahlak ve vicdan sahibi oldu\u011funu g\u00f6sterece\u011fi ikinci cildin el yazmalar\u0131n\u0131 ge\u00e7irdi\u011fi bir buhran sonucu yakm\u0131\u015ft\u0131r. Daha sonra birka\u00e7 kez daha yazmaya \u00e7al\u0131\u015ft\u0131\u011f\u0131 bu b\u00f6l\u00fcmler sonradan yay\u0131mlanm\u0131\u015ft\u0131r.<\/p>\n\n\n\n \u00c7i\u00e7ikov, Rusya’da \u015fehir \u015fehir dola\u015f\u0131p, feodal kanunlara g\u00f6re toprak sahiplerinin mal\u0131 olan k\u00f6le k\u00f6yl\u00fcleri sat\u0131n almaktad\u0131r. Ancak istedi\u011fi k\u00f6yl\u00fcler \u00e7al\u0131\u015fmas\u0131n\u0131 iyi bilen ya da sa\u011fl\u0131kl\u0131 olanlar de\u011fil, tam aksine \u00f6l\u00fc olanlard\u0131r. D\u00f6nemin ele\u015ftiri oklar\u0131n\u0131 \u00fczerine \u00e7eken feodal yap\u0131s\u0131n\u0131n temeli olan fikirlerle kar\u015f\u0131 koyan roman, bu bak\u0131mdan belli kesimlerin s\u00f6zc\u00fcs\u00fc olmu\u015ftur.<\/p>\n\n\n\n <\/p>\n\n\n\n kaynak:1<\/a>,2<\/a>,3<\/a><\/p>\n\n\n\n #evdeKal #kamp\u00fcsteKal \ud83d\ude42<\/p>\n\n\n\n <\/p>\n\n\n\n <\/p>\n<\/div><\/div>\n\n\n\n2. Akdeniz (Panait Istrati)<\/strong><\/h3>\n\n\n\n
![\"Akdeniz](\"https:\/\/www.kampuskod.com\/wp-content\/uploads\/2020\/12\/Akdeniz-Panait-Istrati.jpg\")
– Adrlen
– Mihail
– Musa
– Sara
– Titel
– Salomon Klein
– Simon Herdan<\/p>\n\n\n\n3. Babalar ve O\u011fullar (Turgenyev)<\/strong><\/h3>\n\n\n\n
![\"Babalar](\"https:\/\/www.kampuskod.com\/wp-content\/uploads\/2020\/12\/Babalar-ve-Ogullar-Turgenyev.jpg\")
G\u00fcnah ve kefaret<\/strong><\/em>
Tipik bir nihilist olan Bazarov ile 1840\u2019lar\u0131n tipik bir liberali olan Pavel aras\u0131nda nihilizmin do\u011fas\u0131 ve Rusya\u2019ya olan faydas\u0131 \u00fczerine ge\u00e7en ve \u201cbabalar (1840\u2019lar\u0131n liberalleri)\u201d ile \u201co\u011fullar (nihilistler)\u201d olarak temsil edilen tart\u0131\u015fmalard\u0131r. Bazarov\u2019un deyimi ile: \u201cAristokrasi, liberalizm, terakki ve ilkeler\u201d bir s\u00fcr\u00fc yabanc\u0131 ve kullan\u0131\u015fs\u0131z kelimelerdir.<\/p>\n\n\n\n
\u0130nsani duygular ile y\u00fczle\u015fmek, \u00f6zellikle de Anna Odintsova’ya a\u015f\u0131k olmak Bazarov’un nihilizmini parampar\u00e7a eder. Bazarov’un nihilizmi, kar\u015f\u0131l\u0131ks\u0131z a\u015fktan duydu\u011fu \u0131zd\u0131rap ile sava\u015fmaya yetmez ve bu O’na, iddialar\u0131na s\u0131k\u0131 s\u0131k\u0131ya sar\u0131lacak g\u00fc\u00e7te olmad\u0131\u011f\u0131 umutsuzlu\u011funu a\u015f\u0131lar.<\/p>\n\n\n\n
Sevgileri sayesinde Bazarov’u hat\u0131rlad\u0131lar ve Bazarov b\u00f6ylece \u00f6l\u00fcm\u00fcn \u00fcstesinden geliyordu, ama sadece di\u011fer insanlar\u0131n sevgisi sayesinde bunu ba\u015farabilmekteydi. Babalar ve O\u011fullar\u0131 okuyan ve Bazarov karakterini olduk\u00e7a takdir eden Fyodor Dostoyevski, benzer bir temay\u0131 Su\u00e7 ve Ceza roman\u0131nda Raskolnikov’un dine duydu\u011fu kefaret hissini (\u0130sa a\u015fk\u0131 ile) anlat\u0131rken kullanm\u0131\u015ft\u0131r.<\/p>\n\n\n\n4. Beyaz Di\u015f (Jack London)<\/strong><\/h3>\n\n\n\n
![\"Beyaz](\"https:\/\/www.kampuskod.com\/wp-content\/uploads\/2020\/12\/Beyaz-Dis-Jack-London.jpg\")
5. Beyaz Gemi (Cengiz Aytmatov)<\/strong><\/h3>\n\n\n\n
![\"Beyaz](\"https:\/\/www.kampuskod.com\/wp-content\/uploads\/2020\/12\/Beyaz-Gemi-Cengiz-Aytmatov.jpg\")
Iss\u0131k G\u00f6l\u00fc civar\u0131nda ge\u00e7en kitapta k\u00fc\u00e7\u00fck bir \u00e7ocu\u011fun g\u00f6z\u00fcnden d\u00f6nemin Sovyet y\u00f6netimine ele\u015ftirel bir yakla\u015f\u0131m getirilmektedir. Roman\u0131n kahramanlar\u0131ndan M\u00fcmin dede gelenek\u00e7ili\u011fin temsilcisi iken damad\u0131 Orozkul ise yozla\u015fman\u0131n \u00e7arp\u0131c\u0131 bir \u00f6rne\u011fini olu\u015fturur. Kitap Sovyet d\u00f6neminin s\u0131k\u0131nt\u0131, \u00fcmit, ve beklentilerini yans\u0131t\u0131r. Roman annesi ve babas\u0131 ayr\u0131l\u0131nca dedesi taraf\u0131ndan b\u00fcy\u00fct\u00fclen bir \u00e7ocu\u011fun g\u00f6z\u00fcnden d\u00fcnyay\u0131 anlatmaktad\u0131r. Orozkul orman i\u015f\u00e7ilerinin amiri konumundad\u0131r. Ayn\u0131 zamanda M\u00fcmin’in k\u0131z\u0131 ile evlidir. \u00c7ocu\u011fu olmayan Orozkul e\u015fini s\u00fcrekli d\u00f6vmektedir. M\u00fcmin ise buna seslenememektedir; \u00e7\u00fcnk\u00fc Orozkul’un yan\u0131nda \u00e7al\u0131\u015fmaktad\u0131r. Ya\u015fl\u0131 oldu\u011fu i\u00e7in bu saatten sonra ba\u015fka yere gitmeye cesareti yoktur. Dedesinin anlatt\u0131\u011f\u0131 masallarla b\u00fcy\u00fcyen \u00e7ocu\u011fun hayal d\u00fcnyas\u0131 \u00e7ok zengindir. Dedesinin yapt\u0131\u011f\u0131 havuzda y\u00fczen \u00e7ocuk bal\u0131k olmay\u0131 istemekte ve b\u00f6ylece Is\u0131k G\u00f6l’deki Beyaz Gemiye ve hayalindeki babas\u0131na kavu\u015faca\u011f\u0131 g\u00fcn\u00fc d\u00fc\u015flemektedir. \u00c7ocu\u011fun okuma \u00e7a\u011f\u0131 gelmi\u015ftir ve dedesi ona bir \u00e7anta al\u0131r. Okula ba\u015flayan \u00e7ocuk \u00e7ok mutludur. Mesafe uzun oldu\u011fu i\u00e7in dedesi onu her g\u00fcn okula g\u00f6t\u00fcrmekte ve okuldan almaktad\u0131r. Bir g\u00fcn Orozkul ile da\u011fdan getirdikleri tomruk suda kal\u0131nca dedesi torununu almaya gecikir. Orozkul zalim oldu\u011fu i\u00e7in M\u00fcmin’i b\u0131rakmak istemez. M\u00fcmin’in verdi\u011fi karar roman\u0131n sonunu haz\u0131rlayan olaylar\u0131n ba\u015flang\u0131c\u0131 olur.<\/p>\n\n\n\n6. Bir Bilim Adam\u0131n\u0131n Roman\u0131 (O\u011fuz Atay)<\/strong><\/h3>\n\n\n\n
![\"Bir](\"https:\/\/www.kampuskod.com\/wp-content\/uploads\/2020\/12\/Bir-Bilim-Adaminin-Romani-Oguz-Atay.jpg\")
7. Y\u0131lk\u0131 At\u0131 (Abbas Sayar)<\/strong><\/h3>\n\n\n\n
![\"Y\u0131lk\u0131](\"https:\/\/www.kampuskod.com\/wp-content\/uploads\/2020\/12\/Yilki-Ati-Abbas-Sayar.jpg\")
Roman<\/em>, alegorik bir anlat\u0131ya sahiptir.<\/p>\n\n\n\n8. Ya\u015far Ne Ya\u015far Ne Ya\u015famaz (Aziz Nesin)<\/strong><\/h3>\n\n\n\n
![\"Ya\u015far](\"https:\/\/www.kampuskod.com\/wp-content\/uploads\/2020\/12\/Yasar-Ne-Yasar-Ne-Yasamaz-Aziz-Nesin.jpg\")
Ya\u015far Ya\u015famaz adl\u0131 karakter hapse girmesinin ard\u0131ndan mahk\u00fbm arkada\u015flar\u0131na hayat hik\u00e2yesini anlat\u0131r. Devlet, Ya\u015far Ya\u015famaz’\u0131n n\u00fcfus kay\u0131tlar\u0131na g\u00f6re bir \u00f6l\u00fc oldu\u011funu d\u00fc\u015f\u00fcnmektedir ama yine de askerlik g\u00f6revini yerine getirir. Ya\u015far n\u00fcfus k\u00e2\u011f\u0131d\u0131 \u00e7\u0131karamaz ve olaylar hem g\u00fcld\u00fcr\u00fc hem de d\u00fc\u015f\u00fcnd\u00fcr\u00fcc\u00fc \u015fekilde geli\u015fir.<\/p>\n\n\n\n9. Kaplumba\u011falar (roman) (Fakir Baykurt)<\/strong><\/h3>\n\n\n\n
![\"Kaplumba\u011falar](\"https:\/\/www.kampuskod.com\/wp-content\/uploads\/2020\/12\/Kaplumbagalar-roman-Fakir-Baykurt.jpg\")
Ba\u015fl\u0131ca kahramanlar<\/strong>
E\u011fitmen R\u0131za: Tozak k\u00f6y\u00fcn\u00fcn \u00f6\u011fretmenidir. Bu k\u00f6yde do\u011fmu\u015f ve b\u00fcy\u00fcm\u00fc\u015ft\u00fcr. Atak, akl\u0131 ba\u015f\u0131nda, cesur ve bilgili bir ki\u015fidir. K\u00f6yl\u00fcye yard\u0131m etmek i\u00e7in \u00e7abalar.
K\u0131r Abbas : Tozak K\u00f6y\u00fc’n\u00fcn ileri gelenlerindendir. Cesur ve yenilgiyi kabul etmeyen bir ki\u015fili\u011fe sahiptir. \u00c7al\u0131\u015fkan ve merhametlidir. E\u011fitmen R\u0131za’n\u0131n en b\u00fcy\u00fck destek\u00e7isidir.
Battal Bey : K\u00f6y muhtar\u0131d\u0131r
Hamdi Bey: Kasabal\u0131 memur
Cennet Han\u0131m: K\u0131r Abbas\u0131n kar\u0131s\u0131
Yusuf: K\u0131r Abbas\u0131n o\u011flu
Senem Han\u0131m: K\u0131r Abbas\u0131n gelini<\/p>\n\n\n\n
Olaylar, Ankara’ya 100, K\u0131z\u0131l\u0131rmak’a 15 km uzakl\u0131kta olan Tozak k\u00f6y\u00fcnde ge\u00e7mektedir. Alevi gelene\u011fi ve k\u00fclt\u00fcr\u00fc bu fakir ve k\u0131ra\u00e7 k\u00f6yde halen s\u00fcrmektedir. Fakat k\u00f6y, her imk\u00e2ndan yoksun,susuz,karasal bir k\u00f6yd\u00fcr. \u00dcz\u00fcm yeti\u015fmemektedir. Bu olaylar geli\u015firken E\u011fitmen R\u0131za bir \u00f6neride bulunur. Tozak’\u0131n kuzeyindeki d\u00fczl\u00fck alan ba\u011f haline getirilebilir. B\u00fct\u00fcn k\u00f6y halk\u0131 ve R\u0131za canla ba\u015fla \u00e7al\u0131\u015farak verimsiz, ta\u015f dolu, susuz araziyi be\u015f-alt\u0131 ay i\u00e7inde ba\u011f haline getirirler. Ba\u011f o kadar verimlidir ki k\u00f6y\u00fcn hem \u015farap hem de \u00fcz\u00fcm ihtiyac\u0131n\u0131 kar\u015f\u0131layabilir. K\u00f6y eski ne\u015fesinde geri kavu\u015fur. K\u00f6yl\u00fcn\u00fcn “Purluk” dedi\u011fi ba\u011fa kaplumba\u011falar ak\u0131n etmeye ba\u015flar. \u00c7\u00fcnk\u00fc hayvanlar g\u00fcne\u015fin yak\u0131c\u0131l\u0131\u011f\u0131ndan bu ye\u015filli\u011fe s\u0131\u011f\u0131narak kurtulmaktad\u0131rlar. K\u0131r Abbas\u0131, ya\u015f\u0131na ra\u011fmen hi\u00e7 para almadan ba\u011f\u0131n geli\u015fmesi i\u015flerinde \u00e7al\u0131\u015fmaktad\u0131r.<\/p>\n\n\n\n10. \u00d6l\u00fc Canlar (Gogol)<\/strong><\/h3>\n\n\n\n
![\"\u00d6l\u00fc](\"https:\/\/www.kampuskod.com\/wp-content\/uploads\/2020\/12\/Olu-Canlar-Gogol.jpg\")
![\"en-iyi-netflix-belgeselleri-www.kampuskod.com\"](\"https:\/\/www.kampuskod.com\/wp-content\/uploads\/2020\/12\/en-iyi-netflix-belgeselleri-www.kampuskod.com_-1024x591.jpg\")
<\/a><\/figure>En iyi Netflix Belgeselleri<\/a><\/span><\/h3>\n\n\n\n
Netflix’in yay\u0131nlanan en iyi Belgeselleri derledik.
#evdeKal #kamp\u00fcsteKal \ud83d\ude42<\/em>
<\/h4>\n\n\n\n
![\"2020nin](\"https:\/\/www.kampuskod.com\/wp-content\/uploads\/2020\/12\/2020nin-en-iyi-dizleri-kapak-kampuskod.com_-1024x591.png\")
<\/a><\/figure>![\"kampuskod.com-en-iyi-netflix-dizileri\"](\"https:\/\/www.kampuskod.com\/wp-content\/uploads\/2020\/12\/kampuskod.com-en-iyi-netflix-dizileri-1024x591.jpg\")
<\/a><\/figure>